• Installation view of Rafael Lozano-Hemmer: Collider at the Parrish Art Museum (October 14, 2024–December 15, 2025). Photo: Jimmy Hamelin.

    Thanksgiving Weekend Hours

    Plan Your Visit

    The Museum will be closed on Thursday, Thanksgiving Day, and open from 11 AM to 5 PM on Friday through Sunday. While you’re here, visit our Museum Shop and Café!

  • Saturday, December 6 | 11 AM to 5 PM

    Winter Welcome Day & Holiday Market

    All-Day Free Admission & Activities Plus Food Trucks & Artisan Market

    Enjoy free admission all day alongside free activities including art workshops and curator-led tours. Shop ’til you drop at our holiday market—featuring over 20 vendors of jewelry, ceramics, apparel, gifts, and more—as well as the Museum Shop! Plus, enjoy delicious food and beverages from local food trucks and the Parrish Café.

    Free and open to all. No registration is required.

  • Photos of events and programs at the Parrish Art Museum in 2025, courtesy of BFA, Jessica Dalene, Jenny Gorman, Lisa Tamburini, and Vision Maker Productions, Inc.

    Support the Parrish

    Make Your Year-End Gift Today

    The Parrish is for you! This year, 41,000 people, including 10,000 through our education programs, connected through exhibitions, events, talks, and hands-on experiences. Your support makes it all possible. Please consider making a year-end gift to the Parrish today to sustain the art and community that bring us together.

    DONATE NOW

  • Rudolf Stingel, Untitled, 2001. Installation view, Une Seconde d’Eternité, Bourse de Commerce - Pinault Collection, Paris, 2022. Photo by Stefan Altenburger, Courtesy the artist and Bourse De Commerce - Pinault Collection, Paris.

    October 9, 2025–February 2, 2026

    On View | FRESH PAINT: Rudolf Stingel

    The Parrish Art Museum and The FLAG Art Foundation continue their FRESH PAINT collaboration with a new work by the artist Rudolf Stingel (American, b. Italy, 1956). At the Parrish, Stingel presents Untitled (2025), a large-scale, interactive installation in the Museum’s Interior Lobby, made from a series of Celotex panels—aluminum-faced foam insulation boards—which invite visitors to draw into the work’s surface and leave behind marks and impressions of their own designs.

  • Installation view of Nina Yankowitz: In the Out/Out the In at the Parrish Art Museum in Water Mill, NY (October 9, 2025–February 22, 2026). Photo: Jenny Gorman.

    October 9, 2025–February 22, 2026

    On View | Nina Yankowitz: In the Out/Out the In

    Organized by the Museum of Fine Arts, St. Petersburg, FL, Nina Yankowitz: In the Out/Out the In traces the unconventional trajectories of Yankowitz’s career, beginning with her early unstretched canvases that blur the line between painting, sculpture, and textiles and her Dilated Grain Readings (1973–7), abstract paintings that translate her synesthetic experiences of sound and color into visual forms. The presentation of Nina Yankowitz: In the Out/Out the In at the Parrish also recognizes Yankowitz’s importance to Long Island’s East End art community.

  • Installation view of Endless Limits: The Work of James Howell, 1962–2014 at the Parrish Art Museum, Water Mill, NY (September 13, 2025–February 8, 2026). Photo: © Gary Mamay.

    September 13, 2025–February 8, 2026

    On View | Endless Limits: The Work of James Howell, 1962–2014

    This exhibition presents the first-ever career retrospective of American artist James Howell (1935–2014), best known for his minimalist paintings that explore the vast tonal range of the color gray. In the later decades of his life, he produced hundreds of paintings, prints, and drawings that explore the subtlety and scope of the neutral shade, as well as its relationship to light and perception of space.

  • Installation view of Time Exposed: Hiroshi Sugimoto's Seascapes at the Parrish Art Museum, Water Mill, NY (September 13, 2025–February 8, 2026). Photo: © Gary Mamay.

    September 13, 2025–February 8, 2026

    On View | Time Exposed: Hiroshi Sugimoto’s Seascapes

    Time Exposed: Hiroshi Sugimoto’s Seascapes presents the decade-long project of the well-known photographer, Hiroshi Sugimoto (Japanese, b. 1948), for the first time at the Parrish Art Museum. The photolithograph series explores Sugimoto’s unwavering interest in the incremental atmospheric changes around vast bodies of water. Beginning in 1980, Sugimoto traveled to remote corners of the world to capture the variable moments where the sky meets the sea.

  • Installation view of Rafael Lozano-Hemmer: Collider at the Parrish Art Museum (October 14, 2024–December 15, 2025). Photo: Jimmy Hamelin.

    October 14, 2024–December 15, 2025

    On View | Rafael Lozano-Hemmer: Collider

    The latest installment of the Museum’s annual façade installation series features a new public artwork by Rafael Lozano-Hemmer. Made up of hundreds of small LED spotlights that create a calm, rippling curtain of light along the Museum’s south wall, Collider is visible from Montauk Highway and up close from the Museum’s meadow. The lights react in real time to invisible cosmic radiation from outer space.

UPCOMING EVENTS

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William Merritt Chase, The Big Bayberry Bush (The Bayberry Bush), ca. 1895. Oil on canvas, 25 1/2 x 33 1/8 inches. The Parrish Art Museum, Water Mill, New York, Littlejohn Collection

OUR PERMANENT COLLECTION

Please note that the Parrish Permanent Collection may not be on view at the time of your visit. Click below for the most up-to-date information about what is currently on view.

ON VIEW NOW

The Parrish Permanent Collection consists of more than 3,600 paintings, sculptures, works on paper, and mixed media. Click the buttons below to learn more and see the Permanent Collection online.